The best road cycling routes around Escacena Del Campo

pre-breakfast Aznalcollar

The Parish Church of Santa María de la Purificación, due to its volumetric force and its location in an elevated part of the town, becomes the most representative architectural landmark. Despite being initially located away from the urban center, it is a remarkable example of a Sevillian church, in which the Mudejar and Baroque styles converge, following a very characteristic approach to 18th-century construction practice in the area. Built according to Mudejar principles in its original construction, which appears to date from the 15th century, it would later be practically rebuilt after the damage caused by the 1755 earthquake, conforming to the Baroque guidelines prevailing in the second half of the 17th century. A reconstruction in which Pedro de Silva, Antonio Matías de Figueroa, and José Álvarez participated. Among them, Antonio Matías de Figueroa stands out for the significance of his intervention in the complex. His work on the Manzanilla church can therefore be considered one of the last examples of this family's distinctive style—the so-called triumphal baroque—and one of the first signs of the change of direction demanded by the changing times, in their preference for the primacy of Rococo lines over Baroque masses. The appearance of neoclassical elements (the Gospel nave portal), derived from the presence of José Alvarez (1782–1783) as director of the works, also speaks to the formal evolution of the style toward the last quarter of the century. Finally, the tower (1760-1779) stands out, attributed to Lucas Cintora and Francisco Díaz Pinto, and one of the most beautiful examples in the province. It perfectly fits one of the two characteristic typologies of 18th-century Andalusia, originating from the Giralda in Seville. It forms part of a unique group of towers in Huelva, along with that of the Temple of San Pedro in Huelva and that of the Church of San Juan Bautista (La Palma del Condado), all of which follow a very similar model. This building represents another example of the intense religious construction activity that characterized 18th-century Huelva architecture, motivated by a fortunate combination of economic, demographic, and natural circumstances (earthquakes), and which has come to be known as its Golden Age.

Best way to do it - stop for a nice breakfast in El Castillo de las Guardas and head down this section after the breakfast.

Beautiful Mudejar parish from the 15th century, there are very few in the towns of Andalusia even topped with a kind of defense tower. The tiled clock is also curious.

It is located in the Plaza de España, next to the Town Hall. It is a magnificent example of what the Sevillian Mudejar was like in the 15th century and one of the few vestiges of what these buildings were like on the Andalusian plains before the Lisbon earthquake. It houses a rich artistic heritage inside.

It is a church registered in an old Almohad fortress that was declared an Asset of Cultural Interest in 1931. It is undoubtedly the most outstanding monument in Villalba del Alcor.

The municipality known above all for its pyrite mines (exploited since ancient times by the Romans) temporarily closed after one of the biggest environmental disasters in Europe - when in 1998 the Aznalcóllar mining dam burst and caused a polluting spill in this area.

Tejada Nueva is a very small town whose origins probably date back to the 4th century BC. Apart from a few houses, all that remains are the ruins of an Almohad castle and some baths.