RoutesRoad cycling routesFranceNormandyMortagne-Au-PercheVitrai-Sous-Laigle
Ferté-Vidame Castle – Château de Saint-Simon 🏰✨⚜️ loop from Vitrai-sous-Laigle
RoutesRoad cycling routesFranceNormandyMortagne-Au-PercheVitrai-Sous-Laigle
Ferté-Vidame Castle – Château de Saint-Simon 🏰✨⚜️ loop from Vitrai-sous-Laigle
Moderate
5
riders
Ferté-Vidame Castle – Château de Saint-Simon 🏰✨⚜️ loop from Vitrai-sous-Laigle
02:26
61.3km
310m
Road cycling
Moderate road ride. Good fitness required. Mostly well-paved surfaces and easy to ride. The starting point of the route is accessible with public transport.
Last updated: April 24, 2026
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A
Start point
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1
8.02 km
Notre-Dame Church
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The church is closely inserted between the castle park and the houses of the village, which presents a harmonious ensemble of buildings from the 18th and early 19th centuries, combining flint and brick with lime plaster tinted with ochre. You have to step back a little to see its apse, the foundation of which probably dates back to the Romanesque period. Next to the entrance gable, dressed in Grison rubble, the bell tower was built in 1867 (according to the inscription preserving the names of the mason Gelin and the carpenter Hallier, with those of the priest, Abbot Porcher, the mayor, Viscount des Brosses, and the municipal councilors). The nave is extended by a rounded apse, with thick walls pierced by widely splayed semicircular openings, between which are placed the statues of Saint Sebastian, the Virgin and Child, Saint Michael and the dragon, and a holy bishop. On the "perque" (or beam of glory), a large Christ surrounded by the Virgin and Saint John. The transverse chapel, on the right, from the 15th or 16th century, vaulted with ribs resting on four pendentives with a central key carved like lace, was the seat of the brotherhoods. It houses the more recent statues of Saint Sebastian, the Virgin, Saint Michael and a holy bishop. The seigneury of Chennebrun, which belonged successively to Saint-Simon de Courtomer (1650), Caumont de la Force (1670), Grimoard de Beauvoir (1688), Laval Montmorency (1714), d'Espinay Saint-Luc (1765), etc., was acquired during the Restoration by Jacques-Alexandre Giroult des Brosses, whose father had been mayor of Dreux in 1771. In the seigneurial chapel on the left, inscriptions recall the names and dates of the members of this family linked for more than four generations to the life of the commune. We are grateful to them for having admirably maintained the castle, whose 18th century façade and the entrance to the park are visible from the gate. Their coat of arms appears on the stained glass window of this chapel, where we recognize in the center those of a Laval-Montmorency, Lord of Chennebrun, knight of honor of the Duchess of Orléans, master of the cavalry camp, who died in 1757, as indicated by his funerary slab on the threshold. The numerous 19th century stained glass windows with the names of the donors are worth seeing in detail. The one in the center, in the choir, lifts us to the sky with Our Lady of the Assumption. The statue of Mary, patron saint of Chennebrun, never ceases to watch over her church.
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2
17.0 km
Saint-Pierre Church
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Church with a brick bell tower built between 1890 and 1898
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3
22.0 km
Ferté-Vidame Castle
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In 1374, the Vendôme family, who possessed the prestigious title of vidame de Chartres (officer in charge of exercising the military and judicial powers of the bishop), bought the estate and had a stone castle built. This same castle was then acquired in 1635 by Claude de Rouvroy, a favorite of Louis XIII. His son, Louis de Rouvroy, better known as the Duc de Saint-Simon, retired to this area to write some 12,000 pages of his Memoirs; chronicles of the last years of the reign and the court of King Louis XIV at Versailles who, between portraits and memories, dismantles the courtesan machine, and its springs of appearances and power. He also had the stable building built there, the current "small castle" now housing the Orée du Perche Tourist Office.
At the end of his life, Saint-Simon no longer had any male descendants and his granddaughter, who inherited the estate, sold it in 1764 to Jean-Joseph de Laborde, banker to the court of Louis XV and farmer general (in charge tax collection). The Marquis de Laborde holds one of the largest fortunes in France, which comes in particular from the slave trade. He had the medieval castle destroyed and launched the construction of a new building: it is the castle whose ruins can be admired today. This was built in just three years. Consisting of three floors, it would have had 167 rooms and its facade is 150 meters long. Laborde is not limited to the reconstruction of the castle, he also redevelops the city park: a huge area of 860 hectares, surrounded by a wall of 13 kilometers which makes it the second largest park in the region after Chambord. It is also the last French-style garden created in France, with a perspective of 1.5 kilometers.
At the end of his life, Saint-Simon no longer had any male descendants and his granddaughter, who inherited the estate, sold it in 1764 to Jean-Joseph de Laborde, banker to the court of Louis XV and farmer general (in charge tax collection). The Marquis de Laborde holds one of the largest fortunes in France, which comes in particular from the slave trade. He had the medieval castle destroyed and launched the construction of a new building: it is the castle whose ruins can be admired today. This was built in just three years. Consisting of three floors, it would have had 167 rooms and its facade is 150 meters long. Laborde is not limited to the reconstruction of the castle, he also redevelops the city park: a huge area of 860 hectares, surrounded by a wall of 13 kilometers which makes it the second largest park in the region after Chambord. It is also the last French-style garden created in France, with a perspective of 1.5 kilometers.
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4
22.0 km
Château de Saint-Simon 🏰✨⚜️
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To visit with Gael, passionate and fascinating guide!
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5
35.5 km
Mairie la Lande sur Eure
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Town hall of the small village of Lande sur Eure with its small war memorial
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6
40.9 km
Catholic church - ND-de-l'Assomption in Marchainville ⛪✨🕊️
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Notre Dame is the traditional French name for The Most Holy Mary of Nazareth, Ever Virgin, Mother of God since she is the mother of Jesus Christ.
The Assumption is the moment in her life, when instead of dying, she is taken body and soul into eternal life. The Orthodox believe the same as the Catholics but call it "the Dormition". In 1950, many works allowed a rapprochement between Eastern and Western Christians, and thus was defined what the Church has always believed from the beginning about the Assumption of the Most Blessed Virgin Mary. In the rush of post-war reconstruction, many parishes took this name for their local church.
The Assumption is the moment in her life, when instead of dying, she is taken body and soul into eternal life. The Orthodox believe the same as the Catholics but call it "the Dormition". In 1950, many works allowed a rapprochement between Eastern and Western Christians, and thus was defined what the Church has always believed from the beginning about the Assumption of the Most Blessed Virgin Mary. In the rush of post-war reconstruction, many parishes took this name for their local church.
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7
47.7 km
Notre Dame de l'Assomption Church
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A flowery village, Moussonvilliers takes particular care of the surroundings of its church. By walking along flower beds, you can access it via the covered porch, off-centre with respect to the axis of the gable, the corners of which are reinforced with double buttresses. The church has two naves of unequal width, gathered under the same roof. Built in the 16th century, its poor condition probably required the alterations carried out in the 19th century. From the outside, you can see in particular the use of bricks for the repair of the windows and the cornices of the roof.
Inside, between the two parallel naves, the four stone pillars cut into a prism, dating from the construction, carry a wide horizontal band along the entire length of the building (probably made of large beams covered in plaster, replacing the old stone arcades). This band reinforces the beams on which the "tie beams" of the exposed framework rest, and at the same time supports the fall of the two plaster vaults. These structural modifications nevertheless respect the general appearance of the building.
At the central altar, the tabernacle evokes the parable of the Good Shepherd who carries the lost sheep on his shoulders. Above, the classical style altarpiece in wood with decorations enhanced with gold, is decorated in the center with a large painting of the Assumption of Mary taken up to heaven by angels. The landscape placed very low accentuates the upward movement of the composition. This painting, of a certain artistic quality, dated 1855, is signed by Claire Hombcrg.
Two statues frame it in the niches: on the left, a pretty Virgin in polychrome stone from the 16th century. Crowned with fleurs-de-lys and draped in a blue cloak, she holds the infant Jesus, who stretches out his arm towards the object she is presenting to him (an apple or a bird? We do not know because the right hand is broken). On the other side, in polychrome wood from the 18th century, Saint Catherine of Alexandria reading a book, was once invoked as the patron saint of schools because of her in-depth education. She had in fact publicly and successfully refuted the erroneous theses of several philosophers whom she converted to the Christian faith. She suffered martyrdom in the 4th century.
Other statues deserve particular interest. Leaning against a pillar, the 16th century, in stone, of Saint John the Baptist, his cloak raised over his bare legs, presenting the Mystic Lamb placed on the large book of the Bible. And also, from the same period, the small polychrome stone sculpture depicting the education of the Virgin Mary by Saint Anne. It is difficult to see the details because it is placed in a niche above the door. But it is a precious ancient testimony of the devotion to the patron saint of our parish Sainte-Anne-du-Perche.
Finally, to the left of the door, the polychrome wooden statue of Saint Paul. The expression on his face reflects somewhat the ardor of his vocation as an apostle of Christianity. Converted by his vision of the road to Damascus, he devoted himself entirely to preaching the doctrine of Christ the Redeemer, traveling through the countries of the Hellenized East to found and lead new communities of baptized people. Thanks to him, the evangelical message was not limited to populations of Jewish culture, but was addressed to people throughout the world. His writings are an ever-current and living source of the doctrine of the Church, the body of Christ.
Inside, between the two parallel naves, the four stone pillars cut into a prism, dating from the construction, carry a wide horizontal band along the entire length of the building (probably made of large beams covered in plaster, replacing the old stone arcades). This band reinforces the beams on which the "tie beams" of the exposed framework rest, and at the same time supports the fall of the two plaster vaults. These structural modifications nevertheless respect the general appearance of the building.
At the central altar, the tabernacle evokes the parable of the Good Shepherd who carries the lost sheep on his shoulders. Above, the classical style altarpiece in wood with decorations enhanced with gold, is decorated in the center with a large painting of the Assumption of Mary taken up to heaven by angels. The landscape placed very low accentuates the upward movement of the composition. This painting, of a certain artistic quality, dated 1855, is signed by Claire Hombcrg.
Two statues frame it in the niches: on the left, a pretty Virgin in polychrome stone from the 16th century. Crowned with fleurs-de-lys and draped in a blue cloak, she holds the infant Jesus, who stretches out his arm towards the object she is presenting to him (an apple or a bird? We do not know because the right hand is broken). On the other side, in polychrome wood from the 18th century, Saint Catherine of Alexandria reading a book, was once invoked as the patron saint of schools because of her in-depth education. She had in fact publicly and successfully refuted the erroneous theses of several philosophers whom she converted to the Christian faith. She suffered martyrdom in the 4th century.
Other statues deserve particular interest. Leaning against a pillar, the 16th century, in stone, of Saint John the Baptist, his cloak raised over his bare legs, presenting the Mystic Lamb placed on the large book of the Bible. And also, from the same period, the small polychrome stone sculpture depicting the education of the Virgin Mary by Saint Anne. It is difficult to see the details because it is placed in a niche above the door. But it is a precious ancient testimony of the devotion to the patron saint of our parish Sainte-Anne-du-Perche.
Finally, to the left of the door, the polychrome wooden statue of Saint Paul. The expression on his face reflects somewhat the ardor of his vocation as an apostle of Christianity. Converted by his vision of the road to Damascus, he devoted himself entirely to preaching the doctrine of Christ the Redeemer, traveling through the countries of the Hellenized East to found and lead new communities of baptized people. Thanks to him, the evangelical message was not limited to populations of Jewish culture, but was addressed to people throughout the world. His writings are an ever-current and living source of the doctrine of the Church, the body of Christ.
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8
56.2 km
Beaulieu War Memorial
Highlight • Monument
War memorial Located in the town of Beaulieu.
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B
61.3 km
End point
Bus stop
Way Types & Surfaces
Way Types
61.2 km
< 100 m
Surfaces
61.2 km
< 100 m
< 100 m
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Elevation
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Highest point (290 m)
Lowest point (180 m)
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Thursday 9 July
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