Attractions and Places To See around Westcot Barton - Top 20

In addition to a tour of the baroque-style castle, there is also an interesting and recommendable exhibition about the British politician Winston Churchill.

This church, which is dedicated to the Holy Cross (Latin "Santa Croce"), takes its patronage from the cross on which Jesus Christ died. The veneration of the Holy Cross goes back in large part to Saint Helena, who was the mother of Emperor Constantine the Great (who recognized Christianity as a religion after his victory at the "Milvian Bridge" in front of Rome and ended the long period of persecution with the "Edict of Toleration" of Milan in 312). In the early fourth century, she made a pilgrimage to the Holy Land (Israel / Palestine) and brought numerous relics back to Europe, including the "True Cross" on which Jesus Christ was crucified. Helena is therefore often depicted with a cross as an attribute. The church celebrates the feast of the discovery, public presentation and veneration of the Holy Cross - called the "Exaltation of the Cross" - on September 14th.

There is a wonderful playground here for the children to enjoy, the local library is on site and they allow walkers to use the facilities (dirty boots removed), and you can also enjoy the cafe (and warmth) if you're walking in the colder months.

Church. Medieval; rebuilt and west tower added in 1831 by William Turner; minor restoration by J. Buckeridge, 1869. Squared and coursed limestone with ashlar dressings; stone-coped gabled stone slate roof. Nave, chancel and west tower. Gothic Revival style. One-bay chancel has offset corner buttresses, 3-light Decorated-style east window and 2-light side windows. Two-bay south side of nave has hood mould over chamfered pointed-arched blocked doorway, and label moulds over 2-light ogee-headed cinquefoiled windows; to north side are similar windows flanking early C14 reset Decorated porch, which has hood mould with rosettes and unusually primitive head corbels over hollow-chamfered pointed-arched doorway with rosettes; Cl9 pointed-arched inner doorway. Three-stage west tower has hood moulds over cinquefoiled windows and battlemented parapet with corner gargoyles. Interior: arch-braced roof throughout, with moulded beams, wind braces and king posts, set on plain corbels adorned with arms of past vicars and lords of the manor. Chancel has mid C19 Minton tile floor, and early C14 reset cinquefoiled tomb recess. Double-chamfered chancel arch has traceried Decorated-style panels flanking brattished Perpendicular-style traceried wood screen made in 1896. Nave has wood traceried pulpit set on stone base, C18 parish chest, C11 tub font reset on late C19 piers and C19 west door. Late C19 stained glass throughout. Memorials: in chancel are wall tablets to John Rathbone, d.1613, set in coloured moulded architrave, Stephen Pomfrett, d.1713, with carved stall and hourglass set above roundel , and Gothic-style memorial to William Turner. Also in chancel is medieval child's coffin. Ledger stone in nave to Edward Egleton, d,1722. Pictures of church before restoration show that chancel had north chapel (whence tomb recess was moved) and that present C14 porch lay to south. William Turner was an Oxford watercolourist and his uncle William Turner of The Manor (q.v.) provided the money for restoration. (Buildings of England: Oxfordshire: pp757-8; Information from VCH National Monuments Record; Bodleian Library, Topographical Drawings)

Church. Medieval; rebuilt 1767-72 for Reverend Thomas Hinds; restored 1860 by Reverend F.C. Hingeston. Squared and coursed limestone with ashlar quoins; coursed limestone rubble with north wall and west tower. Gabled stone slate roof. Nave, chancel and west tower. East window of graduated C13-style lancets. Two-bay side walls have classical moulded cornice and pointed lancets; hood mould over mid C19 pointed arched chamfered doorway with plank door. Medieval 2-storey west tower; mid C19 Norman-style west doorway with nailhead decoration; C18 semi-circular arched belfry windows with key and impost blocks; crenellated parapet; pyramidal-roof has large ball finial and wrought-iron weathervane. Interior: mid C18 panelled pulpit; mid C19 pews; mid C18 gallery with panelled font set on slender octagonal shaft. Mid C18 plaster ceiling, with moulded cornice and square panels and central roundel. Monuments: south wall has white marble architectural monument with shield set in broken pediment and fluted Ionic pilasters to Thomas Hindes, d.1718, and wife Elizabeth, d.1761; two C20 wall tablets set in architectural frame. North side: architectural wall monument to Reverend Thomas Hindes, d.1768, with shield set in broken pediment and fluted pilasters; large fine architectural coloured monument to Vincent Barry, d.1615, his wife and daughter Lady Katherine, d.1663. 3 shields surmount inscription flanked by putti; Corinthian columns flank figures kneeling at prayer desks, with children below, set in segmental-arched recess with rosettes. Church stands in isolated position in fields, with deserted medieval village to south. (Buildings of England: Oxfordshire: p630; VCH: Oxfordshire: Vol VI, pp158-9; National Monuments Record)

In 1704, Blenheim architect John Vanbrugh set out to create something spectacular across what was then just a marshy brook. The Grand Bridge was the outcome, containing no less than 30 rooms. In 1764, 'Capability' Brown set about improving and landscaping the grounds. His most notable work was the creation of Blenheim's Lake, which submerged the lower stories of the bridge.

Nestled on the banks of the River Evenlode, Charlbury is a picturesque market town. Its welcoming atmosphere, beautiful surrounding countryside and a number of pubs and tea rooms make it a treat for hikers. The Great Western Railway made it an important stop on the Paddington to Worcester line and its train station, designed by the great Isambard Kingdom Brunel, is grade II-listed.

Everything about the bridge is extraordinary and much of it is puzzling. No ground plan has survived. All we have is an elevation showing the proposed superstructure in the manner of a viaduct or of the Pont du Garde. Sarah 1st Duchess of M Marlborough vetoed the arcade. ÒI made Mr Vanbrugh my enemy', she wrote, Òby the constant disputes I had with him to prevent his extravagance.' The immensity of the Grand Bridge and its cost was one of the main subjects of their dispute. The Duchess scathingly told a friend that she had counted thirty-three rooms in it, that there was a house at each corner and that what made it so much prettier than London Bridge was that you might Òset in six rooms and look out at the window' while the coaches rumbled over your head. Vanbrugh in its defence went so far as to assure her that if, when it was finished, she found a house inside it she would go and live in it. Nothing was more unlikely; and indeed there is no evidence that it was ever lived in, though some rooms have fireplaces and chimneys, and one large windowless chamber has been plastered and fitted with an elliptical arch as though for a theatre. Old guidebooks describe the bridge as a cool retreat in summer, and no doubt many a picnic was enjoyed in the sunnier rooms. Unfortunately, it is no longer safe to enter now. http://www.camelotintl.com/heritage/historichouses/south_east/blenheim_palace/bpbridge.html