The best road cycling routes around Fontanelle

The fresco of the Rotonda del Cavallino is a magnificent mural located at the entrance to the center of Conegliano, on the wall of Casa Roma. The painting depicts the historic arrival in the city of King Henry III of Valois, which took place on the evening of July 14, 1574, during his journey from Warsaw to Paris to ascend the throne of France. On that occasion, the local community and the nobility of Conegliano gave him a triumphant welcome. Created in 2009 by master Vico Calabrò with the help of over twenty international fresco painters, the work covers approximately 130 square meters and was executed using the classic buon fresco technique. Today, it is one of the most evocative open-air artistic testimonies of the city, recalling a moment of great significance for local historical memory.

Worth seeing city gate of Treviso.

Beautiful church, bad bike paths

Beautiful church

Some bike path and nice view.

Nice mural on the side of the Codognè school

Located on the summit of Colle di Giano, the Castle of Conegliano is the historical emblem of the city and a privileged sentinel over the Venetian plain. Of the ancient medieval complex, the strategic heart of the village since the 12th century, the Bell Tower stands out today, the only surviving element along with part of the walls and the Guard Tower. Inside, the Civic Museum houses a precious collection ranging from archaeological finds to important pictorial works. From the top of the tower, the view is breathtaking: on clear days, the gaze sweeps from the rooftops of the historic center, adorned by the frescoed facades of via XX Settembre, to the crests of the Prealps and the Prosecco vineyards. Reachable via charming cobbled streets or staircases immersed in greenery, the castle is not just a monument, but a meeting place where history blends with the beauty of the Treviso landscape.

The Duomo of Treviso, dedicated to Saint Peter the Apostle, is the city's main place of worship and stands on an area occupied by sacred buildings since Roman times. Its current monumental appearance is the result of centuries of stratification: the neoclassical facade with the imposing six-column pronaos was added in the 19th century, while the rear body retains the Renaissance structure. Inside, the cathedral houses artistic treasures of immense value, including the Malchiostro Annunciation by Titian, a masterpiece from 1520. Beneath the presbytery, access is gained to the evocative 11th-century crypt, a forest of small columns housing the remains of Saint Liberale, the city's patron saint. The complex also includes the Romanesque Baptistery of Saint John, completing this religious hub where Romanesque, Renaissance, and Neoclassical styles coexist in harmonious balance.