Attractions and Places To See around Lusciano - Top 12

The semi-rock hermitage of Santa Maria Pietraspaccata is nestled within a centuries-old chestnut grove, the “Bosco della Salandra”, in the dense forest rich in flora and fauna extraordinary treasures are hidden: the “Ciaurriello“, a Roman mausoleum still preserved today, the “Grotta del Brigante“, and countless other archaeological finds yet to be discovered. The hermitage is located in Marano di Napoli and constitutes an archaeological-architectural unicum in Campania, it is partially dug into the side of a deep hydrographic furrow that from the Camaldoli hill flows into the bottom of the Quarto crater, with jumps of over one hundred meters. Its caves develop on multiple levels and probably represent a primitive rock settlement dating back to the Neolithic. It was an obligatory stop for shepherds during the transhumance, in fact, it overlooks an ancient Osco-Samnite sheep track (also cut into the tuff bank) that connected the highest Neapolitan hill with the Phlegraean-Campanian countryside. In Roman times, the caves were incorporated into an overlying villa, with probable function of mithraeum and nymphaeum. The tuff ridge involved is ingeniously sculpted in such a way as to intercept, with studied channels and inclined planes, both rainwater and spring water to be regimented in two large cisterns. Other channels accompanied the excess water to the bottom of the gully, where a suggestive stream flows that transforms into a rushing torrent during the rains. The hermitage-tower was added at the end of the 16th century in order to incorporate the aforementioned caves. The structure is crossed vertically by a fault fracture from which it is not excluded that thermal steam came out in ancient times. Discovered in 1992 by a group of volunteers organized by Prof. Carlo Palermo, who then formed the Archeoclub Maraheis, it was brought to light by them by manually removing hundreds of cubic meters of material that had fallen from the overlying cliff. The work, which lasted several years, has highlighted the strong archaeological value of the site and has recovered numerous finds from the Neolithic, from the 1st-2nd century AD and others from the medieval period. Most of these are located at the Archaeological Museum of Naples. In the early Middle Ages it was perhaps used by Basilian monks, as would be deduced from the very ancient title of SS. Salvatoriello, given to the main cave, later transformed into a tiny chapel. The place then evolved structurally from a primitive cenoby, becoming a true sanctuary to which people flock from all over the surrounding area. Over time, various hermits followed, then the Franciscan friars (the Madonna with Child and two adoring friars are frescoed in the apse, strongly reminiscent of Giotto), then the Jesuits and still other hermits, until 1800. After that date, it fell into a state of abandonment and almost total decay. In the sights of building speculation, the monumental complex suffered attacks of all kinds: the continuous landslides from the overlying ridge, the damage to the load-bearing structure with the removal of blocks and the dumping of waste of all kinds aimed above all to discourage any cultural activity in situ and above all the visits of both local believers and scholars. The praiseworthy initiative of the FAI ignites new hopes.

The Carditello palace is a Bourbon residence commissioned by Ferdinand IV of Bourbon in the 18th century for hunting, horse breeding and agricultural production. It is a neoclassical complex that can be visited and managed by the Carditello Foundation.

"Giant of Capodimonte", dating back to the second century after Christ. The statue, depicting a man with a basket, belonged to the Farnese Collection, which arrived in Naples towards the end of the eighteenth century. It was used around 1763 by Ferdinando Fuga, architect of the Capodimonte wood, to decorate the main avenue.

Le Vele di Scampia is a residential complex built in the homonymous district of Naples between 1962 and 1975. [1] They take their name from their triangular shape, reminiscent of a sail: wide at the base, the construction gradually shrinks that goes up to the upper floors. The complex was designed by the architect Francesco Di Salvo and was originally composed of 7 buildings on an area of 115 hectares; four of these buildings were demolished in 1997, 2000, 2003 and 2020; of the three remaining, two will be demolished while the last will be redeveloped. Over time, the neighborhood and the common areas of the complex became infamous places for illegal trafficking and the sails themselves became a symbol of the deterioration of the Naples neighborhood.

Post-earthquake construction causes serious social ills

Path full of jumps and dirt roads that intertwine with each other, a real fun for mtb

Wood in the heart of the metropolis. To explore in company.

How nice, a wood in the city