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The oldest document mentioning the Church of Saint-Martin in Fresnay-le-Comte is the charter of Renaud de Mouçon, Bishop of Chartres, confirming the possessions of the Abbey of Marmoutier, near Tours. This charter dates only from the last years of the 12th century, but the church's foundation may have already existed at that time. The building comprises two parts of roughly equal size and from different periods. The older part, roughly corresponding to the nave, is of a rather undefined style. The west portal, with its pointed arch devoid of any decoration, may date back to the 12th or 13th century, as may the first window of the nave, on the right. In the north wall, there is a small, walled-up doorway, whose lintel, adorned with an accolade, is no earlier than the 15th century, but the relieving arch above it appears older, perhaps from the 12th century. Half of the church, including almost the entire chancel, is from a more recent period and easily recognizable. The polygonal apse and the windows with their flamboyant tracery of late design indicate the very end of the 15th century. An inscription on one of the chancel's tie beams gives a precise date: In the year 1529, this chancel was completely rebuilt. The statue of the Virgin Mary was baptized during the Mass of October 30, 2021, by Father Pierre Paul. This statue, moved from the Chapel of the Three Marys in Mignières, was restored by Mr. Martial Moulin, a sculptor from Chartres.

The Church of Saint-Hilaire in Montainville is a religious monument located in the commune of Les Villages Vovéens. This place of worship, whose construction period is not specified in available sources, is an integral part of the local architectural landscape. Its name, Saint-Hilaire, suggests a dedication to a Christian saint, a common practice for medieval and modern churches, but no further information allows us to determine its exact origin or historical specifics. In the Centre-Val de Loire region, parish churches like Saint-Hilaire played a central role in community life, serving as places of prayer, gatherings, and social organization. Lacking precise data on this monument, it can be assumed that it fulfilled the traditional functions of rural religious buildings: celebrating religious services, administering the sacraments, and maintaining connections among the inhabitants. The dominant agricultural activities of the region often influenced the maintenance and use of these places, although it is not possible to assert a direct link with this particular church.

It was at the request of the parishioners of Orgères that the decision was made to demolish the old church. Typically, this type of partial or total destruction comes from the religious hierarchy. The current church was rebuilt at the end of the 19th century. The reconstruction is quite successful, judging by the choice of materials and the proportions of the building. The stained-glass windows created by the master glazier Loire are perfectly integrated into this new ensemble.

The Saint-Liphard church features a crescent moon at the top of its bell tower, the emblem of Avignon's last known pope, Benedict XIII, known as Pedro de Luna. At least three of its stained-glass windows are by the master glassmaker Charles Lorin from Chartres, including one depicting Saint Paul (1920) and a second depicting the Virgin and Child (1923). In 2019, a fundraising campaign was sponsored by the Fondation du Patrimoine, and work began.

According to biblical accounts, the apostle "Saint Jacques" was the first person to be executed for his faith, as recorded in the Acts of the Apostles, making him an early martyr (blood witness) of Christianity. His tomb in the town named after him, "Santiago de Compostela" (Galicia, Spain), is one of the most famous and important pilgrimage destinations in the world and is often ranked third after Jerusalem and Rome. Yesterday (July 25) was his feast day in the calendar of saints. When this date falls on a Sunday (this was last the case in 2021), the Catholic Church celebrates a special "Holy Year" there (extended by Pope Francis until 2022 due to the coronavirus pandemic).

The place to take a break in Illiers-Combray.

The Saint-Martin de Viabon church dates back to the 11th century. Its plan includes a nave ending in a semicircular apse. In the 15th century, a four-bay aisle forming gables was erected to the north. The bell tower also dates from this period. Adjacent to the south wall of the choir, it is octagonal in shape and pierced by sixteen overlapping pointed arches. It rests on a quadrangular tower with powerful buttresses. A semicircular arch known as a "wolf's tooth" arch survives between two buttresses in the south wall of the nave. It is surmounted by a small sculpted stone head at the base of the pointed arch window. The apse's framework is ancient. In 1862, the paneling of the main nave was replaced by a plaster-covered latticework with faux stone carvings. The restoration of the choir walls and vault, as well as the hollow brick vault of the side aisle, also dates from the same period. This building underwent numerous interior alterations in the 19th century. The eastern end of the side aisle is occupied by the Chapel of the Virgin, entirely decorated with paintings and gilding in 1887. For the restoration of the framework and roof, particularly the end of the side aisle, the Sauvegarde de l'Art Français (French Art Protection Agency) awarded a donation of €17,000 in 2002.

On the night of April 2-3, 1903, a terrible fire completely destroyed the church of Saint-Sulpice. The spire, the roof, and all the furnishings—pews, pulpit, woodwork, altars—were consumed; only the walls remained standing. This church, 23.80 m long and 6.90 m wide, built in the shape of a perfect parallelogram with a straight chevet, formerly lit by a triple lancet window, was flanked on the right by a groin-vaulted chapel 6.10 m wide and 5.55 m deep, and on the left by the bell tower, beneath which was once a chapel, also groin-vaulted, but transformed into a sacristy a few years ago. This tower, reached by a stone staircase, was topped by an octagonal timber-framed spire, elegantly crafted and the tallest in the entire region. This church has been remodeled several times, most recently during the reconstruction of the Chapel of the Blessed Virgin in 1764. However, this dates back to the 16th century, as evidenced by the flamboyant ogival window with two mullions, only the top of which was visible, the lower part having been walled up to accommodate the altarpiece. The second window, on the south side, is semicircular with a mullion, adorned with stained-glass windows with figures of the Blessed Virgin, Saint Anne, and Saint Joachim framed in small medallions painted by Mr. Lorin in 1895. The nave wall received windows of the same style at the same time, but the enormous buttresses and the freestone stringcourse with dripstone were erected in the 16th century. The rest of the church, the gable of the façade with its Romanesque window flanked by two barely protruding pillars, the gable of the chevet with its triple lancet arch, protected by a semicircular arch of dressed stone, the entire north wall, also supported by slightly protruding buttresses and adorned with semicircular windows, and the bell tower, date from the late 12th century. The exterior entablature of the chevet was formed of carved corbels with foliage and strange, crude figures (alternating human heads and rams' heads), irrefutable evidence of this ancient origin. The church was consecrated after the 16th-century restoration, and a beautiful consecration stone with trefoiled ends can still be seen. The church's benefactor had his coat of arms carved on a projecting shield on the corner buttress of the façade gable, and inside the seigneurial tier. The destruction of the woodwork revealed two double oval shields on either side of the high altar, surmounted by a marquis's crown and supported by two greyhounds. The dexter shield bears a gules chevron, accompanied at the top by two roses of the same color and at the base by a cross of Lorraine; the sinister shield reveals a wild boar at the base and two flames or thunderbolts at the top. Could these be the arms of Mre Loup de Cosne? These same shields are found in the Chapel of the Blessed Virgin in four places and in the sacristy. In the Chapel of the Blessed Virgin, a third shield is also found bearing a standing lion, attached to a shield bearing a wild boar and two flames. In 1623, Loup de Cosne, Lord of Vovelle, had a daughter named Francoyse, baptized in Dammarie; in 1653, Charles de Cosne was lord of Loiville and Mre Mangot, lord of Boncé.