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The church consists of a single nave, extended by a single-bay choir, and a semicircular apse. Two canted chapels, forming a false transept, were added during this renovation. The church is dominated by a timber-framed bell tower that rises above the first bay of the nave. The gable of the western facade was rebuilt in the last century, an external wooden porch removed. The central axis of the current facade is punctuated by a semicircular door surmounted by an archivolt, a circular opening on the first level and a small window pierced in the upper part of the gable. On the north side, a highly raised stringcourse forming a cornice, resting on simple modillions, still survives in the upper part of the wall. Additional openings were added to the old, narrow, and uneven openings in the last century, in the nave, as well as in the choir and apse, to allow more daylight to enter the building. The interior of the church is covered with a paneled roof structure: the one covering the nave is believed to date from the 16th century. The entire structure has been given a coherent decoration, from the faux-stone plasterwork to the paneled vault, the furnishings, and the statuary. The church also boasts a 17th-century polychrome wooden statue of Saint Barbara. The Prunelé coat of arms appears at the bottom of the stained-glass window of Saint Louis and, outside, on a medallion on the apse wall. The Sauvegarde de l'Art Français (French National Art Protection Agency) granted €5,000 in grants in 2004 for masonry and roof repairs and the installation of drainage.

Saint-Pierre Church dates back to the 14th century. It is located in Nottonville itself, opposite the town hall. Its 17th-century timber-framed bell tower was restored following the 1999 storm.

It was at the request of the parishioners of Orgères that the decision was made to demolish the old church. Typically, this type of partial or total destruction comes from the religious hierarchy. The current church was rebuilt at the end of the 19th century. The reconstruction is quite successful, judging by the choice of materials and the proportions of the building. The stained-glass windows created by the master glazier Loire are perfectly integrated into this new ensemble.

The Saint-Martin de Viabon church dates back to the 11th century. Its plan includes a nave ending in a semicircular apse. In the 15th century, a four-bay aisle forming gables was erected to the north. The bell tower also dates from this period. Adjacent to the south wall of the choir, it is octagonal in shape and pierced by sixteen overlapping pointed arches. It rests on a quadrangular tower with powerful buttresses. A semicircular arch known as a "wolf's tooth" arch survives between two buttresses in the south wall of the nave. It is surmounted by a small sculpted stone head at the base of the pointed arch window. The apse's framework is ancient. In 1862, the paneling of the main nave was replaced by a plaster-covered latticework with faux stone carvings. The restoration of the choir walls and vault, as well as the hollow brick vault of the side aisle, also dates from the same period. This building underwent numerous interior alterations in the 19th century. The eastern end of the side aisle is occupied by the Chapel of the Virgin, entirely decorated with paintings and gilding in 1887. For the restoration of the framework and roof, particularly the end of the side aisle, the Sauvegarde de l'Art Français (French Art Protection Agency) awarded a donation of €17,000 in 2002.

The Saint-André church burned down in the middle of the 19th century. The priest, forced to celebrate mass in a barn, opened a subscription in 1864, the church was rebuilt in 1865, according to the original plan, plus a transept. Bell tower-porch.

The Sainte Christine church represents a heritage of the rural and religious world characteristic of Beauce, the "breadbasket" of France since the Middle Ages. The Romanesque nave dates from the 12th century and was given a bell tower in the 18th century. The spire then peaked at 28 meters high, visible from afar from the surrounding countryside. In 1835, a hurricane damaged the roof of the bell tower. In 1893, lightning ignited the spire which burned almost entirely. The traces are still visible today. It would take almost 25 years for the church to regain its bell tower, reduced by half to 17 meters in height. The heritage to be restored is in line with the many religious buildings in this area such as the Saint Sébastien church in Baignolet, listed as a Historic Monument.

Formerly, the church was the presentation of the abbot of Bonneval because the Saint-Florentin abbey had a priory in Cormainville. A walled arcade, still visible to the south of the choir, represents an ancient communication between the church and the priory. The building was registered as a historic monument in 1927.

The Saint-Léger church in Sancheville existed from the 12th century, it was a single nave church. There are remains of this primitive building in four pillars of the nave, at the base of the bell tower and on the south wall. In the 13th century, the church was rebuilt, the nave was enlarged and vaulted with ribs. The pillars of the Romanesque choir supported a tower built in the 13th century and which burned down on April 13, 1608. In the 14th century, the main portal with buttresses was built, without a tympanum. In the 16th century, the north aisle was built and a second portal was built, a remarkable Renaissance ensemble. Also in the 16th century, at the same time as the vault of the north aisle, the vault of the main nave was redone in a pointed arch. The current bell tower was built in the 17th century, replacing the burnt tower. The frame was redone in the 17th century, as was the layout of the sanctuary.