The best traffic-free bike rides around Brie-Sous-Archiac

A beautiful church with beautiful houses hidden in an ancient but romantic village, it's worth a stop. The Saint-Étienne church in Brives-sur-Charente is recent. It was consecrated in 1868 and reflects the 14th-century Gothic style. It replaced an older church, of which only a baptismal font, listed as a historic object in 1922, and a capital remain. This font, square and made of a single block of siliceous limestone, is a rare specimen of 12th-century sculpture and symbolism. Certain characteristic features, such as the draperies, allow it to be dated to the 1150s. On three sides, we discover the Annunciation made to Mary, then on the main face of the font, Christ officiating in heaven, and finally Christ descending into hell, savior of souls.

Superb dolmen surrounded by vineyards. The site is wonderful. Accessible by a short passable white path.

Superb Saint-Pierre church in Lagarde sur le Né, surrounded by fields. Built in the 12th century in the pure Romanesque style. The church is often open. Ideal for a cool ravito and a prayer break 🙏

The hunebed stands on a ledge halfway up the hill. The tumulus which covered it has disappeared. This dolmen is of an imposing and unusual height in the region. The deck table rests alone on three perfectly square pillars 2.20 m high. Several orthostats show traces of wear or write-off attempts by stonemasons [ 2 ] . All orthostats are of shell limestone [ 3 ] . The table, in sandstone , measures 5.40 meters long and 4.40 meters wide for a maximum thickness of 0.90  m, it weighs about 40 tons. The room opens to the southeast, the presumed entrance corridor that originally existed has completely disappeared [ 2 ] . The plan of the burial chamber seems to have been dictated by the shape of the deck table, making it a totally atypical dolmen [ 4 ] . The dolmen has been emptied a long time ago as it has been listed as such since 1826

This dolmen has an unusual and imposing height of more than 2m high. The crowning table at the top would weigh 40 tons.

The church depended on the priory of Barbezieux. The plan of the building is in the shape of a cross, with a flat apse. The nave includes two first bays from the 15th century, deviated on the axis of the rest of the building, with ribbed vaults and girders. A narrower bay is covered with ribbed vaults resting on Romanesque columns. The current transept and choir are covered with ribbed vaults resting on 13th century small columns with foliated capitals. The choir vault bears the date of 1682. The portal of the western facade dates from the 15th century and has pinnacles, prismatic moldings and kale. Square bell tower with twin trefoil windows.

The castle of Barbezieux, dominating the plain on the borders of Saintonge and Angoumois is, since the 10th century and throughout the Middle Ages, at the head of a powerful independent châtellenie at the heart of all the power struggles in the region. Between the 11th and 13th centuries, attracted by the protection offered by its influential lords, a large population came to nestle at the foot of the walls. Thus was born the town of Barbezieux, commercial and prosperous at the crossroads of several traffic axes. The end of the 15th century saw its revival thanks to the work of Marguerite de la Rochefoucauld, Lady of Barbezieux. It restores the stately home as well as various buildings in the farmyard. From this work campaign dates the current Archiac Gate and the theater.