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The nave is covered with a wooden vault with exposed beams. The archivolts of the Romanesque door are decorated with saw teeth. The west gable wall is topped with a slender bell tower. The interior contains three classical altars whose designs were apparently made by Mansard at the request of Louvois, owner of the Prairie de Marcilly.

The church of St Pierre des Ormes holds an important place in the heart of the village, surrounded by its pretty flowerbeds. Dating from the 11th and 12th centuries, it has retained its Romanesque portal. After crossing it, you cross the narthex to reach a second door which opens onto the main nave of the building. The wooden vault is barrel-vaulted. An extension was made in the 16th century by adding a side aisle, with two windows which would become dormers. The small door with Renaissance decoration opened onto the cemetery, then adjoining. The current choir was built in the 19th century. The altar is made with two hemp braies supporting a beautiful wooden board. Note, on each side of the choir, wooden niches, one of which houses a statue of St John (with an eagle). A pilgrimage was organized every September 8th to Saint Gourgon, because the fountain was reputed to cure eye diseases. Very popular until the beginning of the 20th century, it was gradually abandoned. The fountain, now filled in, was located in the cellar of a house near the current town hall.

Saint-Rémy Church from the 11th and 16th centuries. Stained glass windows from the 20th century. Altarpiece of the Saint-Julien chapel from the 17th century.

The church of Commerveil is built on a simple plan with a single nave and a straight chevet. According to the town hall's research, this small church dates from the 11th, 12th and 17th centuries. Its small spire can be seen from afar and its ogival windows match its size. Inside, the altarpiece dates from the middle of the 18th century. Behind the wooden tabernacle, we discover a painting representing the Assumption of the Virgin. To the right of the large marble altar, is the statue of Saint Anne and to the left that of the Holy Virgin. On the side aisles, to the right above the altarpiece of the Sacred Heart, we see in a niche the statue of Saint John the Baptist with a sheep. To the left, above the altarpiece of the Virgin with the Sorrowful Heart, is in a niche a statue of Saint Magdeleine. These two altarpieces, in marble and sculpted stone and partly gilded, date from the 17th and 18th centuries and have been listed as historical monuments since 1982. At the top of the nave, there is a Christ on the cross, probably made of wood. A statue of St. Gilles, placed on a wooden base, is located on the back wall of the church. Note a painted paneled vault that dates from the 19th century. The restoration of the church was carried out in the early 1980s.

The Church of Saint-Rémy appears on the cartulary of the Abbey of Saint-Vincent du Mans, however, as usual, it was the Bishop of Le Mans who had the collation of the priest. Rectangular in plan, it has a single nave and a straight chevet lit by a triplet, which was hidden by the installation of a high altar. The church was enlarged in the 15th and 16th centuries by two chapels, placed to the north and south of the nave. The church has some remarkable pieces of furniture: a Christ on the cross and a Saint Anne, in stone, from the 16th century; the tympanum of a stained glass window, open in the south wall, depicting the angels carrying the Instruments of the Passion (16th century); a Pietà in stone from the 16th or 17th century; a Charity of Saint Martin, in stone (15th century). two wooden statues from the 18th century, Saint Leo Fort, pope, and Saint James (mistakenly identified as Saint Martin). Benefiting from a policy of the General Council of Sarthe in favor of contemporary artists, eight bays in this church were entrusted to Michel Madore (Montreal, 1949- ). The work focused on the restoration of the roof and the framework of two bays of the nave. The entire ridge was refinished in lead, including the simple finial, thus replacing the glazed tiles and the terracotta finial.

Dedicated to St Jouin, the church is only mentioned at the end of the 11th century. The building was fortified during the wars of religion. Gunboats (some rotating) are added as well as an underground refuge. You will see one as you go around the church. You can also admire the gargoyles and the magnificent sculpted capitals on either side of the portal. Inside, don't miss the carved keystones and capitals. The building contains quite rich furniture, including a headless sculpture holding a book whose origin and meaning remain mysterious.

Religious building or fortified castle? The church of St George is surprising! Of Romanesque origin (11th century), the places have been transformed over the centuries, notably during the wars of religion where the church was fortified. A front part is built with a complete defense system: watchtowers (small turrets), loopholes and barred doors. These defense elements narrowly escaped destruction in the 17th century. Inside you can admire a Virgin and Child, Saint Barbara, Saint Paul and of course the statue of Saint George. You will also be able to observe the remains of one of the Aunais crosses. The building presents many other treasures: old clock mechanism, exhibition on the Cassini family, liturgical vestments...

The castle was started in the 1400s. 400 years later it was restored in the neogothic style.