The best traffic-free bike rides around Sireuil

Very nice view

Beautiful little town center

The parish church of Notre-Dame is Romanesque and dates from the 12th century. It has a Romanesque bell tower with two floors of arched bays and a conical spire. A dome is at the crossing and the capitals are decorated with sculptures. On the gable of the façade, bas-reliefs depict Christ between evangelical symbols. Its façade was damaged during the Revolution, and heavily restored in the 19th century10. It was classified as a historic monument on July 12, 1886 https://www.angouleme-tourisme.com/patrimoine-culturel/eglise-notre-dame-de-trois-palis/ A little history of the town of Trois Palis by following this link: http://trois-palis.fr/histoire-et-patrimoine/

Notre Dame de Trois-Palis is a small church located in the center of the town of Trois-Palis. From the Romanesque period, it was listed as a historic monument in 1886. The conical spire covered with pine cone scales that rises above the square bell tower can be seen from afar. It dominates a small Romanesque building located in the heart of the town. Its façade is divided into three floors: At the top, in the triangular gable wall, Christ in Majesty is surrounded by the tetramorph (set of four symbolic representations of the evangelists: the bull of Saint Luke; the eagle of Saint John; the lion of Saint Mark; the angel of Saint Matthew). This theme is directly inspired by the Saint-Pierre cathedral in Angoulême. The central space, between the gable and the portal, is occupied by modern high reliefs representing Christ surrounded by the Virgin and Saint John. On the ground floor, the sculpture made of foliage and animals is present on the arches of the portal. Restored in 1891 century, the small church of Notre-Dame has undergone major modifications. A semicircular apse replaced a flat chevet and the nave was vaulted. Inside, the building consists of a single nave, split into three bays. The walls of the nave are clad with large pointed arches. The south wall of the nave is pierced by three bays, while the north wall is blind. In the extension of the nave, a bay under a bell tower deserves attention. The columns arranged in this space are all endowed with a rich sculpted program that develops in the capitals. They are all historiated and represent the themes frequently deployed near the sanctuary: original sin and the fight between Good and Evil. The semicircular apse replaced a flat chevet in the 19th century. It has a cul-de-four vault. Listed as a Historic Monument in 1886. Open every day from 9 a.m. to 5:30 p.m.

Notre Dame de Trois-Palis is a small church located in the center of the town of Trois-Palis. From the Romanesque period, it was listed as a historic monument in 1886. The conical spire covered with pine cone scales that rises above the square bell tower can be seen from afar. It dominates a small Romanesque building located in the heart of the town. Its façade is divided into three floors: At the top, in the triangular gable wall, Christ in Majesty is surrounded by the tetramorph (set of four symbolic representations of the evangelists: the bull of Saint Luke; the eagle of Saint John; the lion of Saint Mark; the angel of Saint Matthew). This theme is directly inspired by the Saint-Pierre cathedral in Angoulême. The central space, between the gable and the portal, is occupied by modern high reliefs representing Christ surrounded by the Virgin and Saint John. On the ground floor, the sculpture made of foliage and animals is present on the arches of the portal. Restored in 1891 century, the small church of Notre-Dame has undergone major modifications. A semicircular apse replaced a flat chevet and the nave was vaulted. Inside, the building consists of a single nave, split into three bays. The walls of the nave are clad with large pointed arches. The south wall of the nave is pierced by three bays, while the north wall is blind. In the extension of the nave, a bay under a bell tower deserves attention. The columns arranged in this space are all endowed with a rich sculpted program that develops in the capitals. They are all historiated and represent the themes frequently deployed near the sanctuary: original sin and the fight between Good and Evil. The semicircular apse replaced a flat chevet in the 19th century. It has a cul-de-four vault. Listed as a Historic Monument in 1886. Open every day from 9 a.m. to 5:30 p.m.

HISTORY OF THE HOUSE OF HINE In 1791, Thomas Hine (1775-1822), then aged 16, left his native land on the south coast of England to go to France… in the middle of the French Revolution. He went to Jarnac, Charente, where he was hired as a clerk in the Ranson et Delamain trading house, which produced his father’s favourite cognac. James Delamain (1738-1800), a Huguenot who had emigrated from Ireland, founded the trading house in 1763 with his father-in-law Jean-Isaac Ranson. On 3 October 1797 (13 Brumaire Year VI), Thomas Hine married Françoise Élisabeth Delamain, daughter of James Delamain and Marie Ranson. In 1817, the Ranson et Delamain house was liquidated, the heirs having been unable to agree on the succession. The eponymous son-in-law founded Thomas Hine & Co, and his cousins Paul Roullet and Henri Delamain (James' grandson) founded the Maison Roullet et Delamain seven years later, which would become Delamain et Cie. The links between the two Protestant Jarnac families remained close, and Thomas Hine's great-granddaughter, Adrienne Hine (1850-1922) married Philippe Delamain (1847-1902) - they had sons Jacques and Robert Delamain. Today, as in Thomas Hine's time, the Hine establishments line the banks of the Charente in Jarnac. The logo is inspired by Hine's speaking arms, hind meaning doe in Old English. He is lying down, his head turned backwards, symbolically looking towards England2. In 1962, Hine was granted the Royal Warrant of Her Majesty Queen Elizabeth II, and became the official supplier of cognac to the Court of England. In 1987, the company was bought by Moët Hennessy. In 2003, it became the property of the CL Financial group, which emerged from the Angostura group. The House was bought in 2013 by the Edv company. TYPOLOGY OF HINE EAUX DE VIE The House of HINE is located on the banks of the Charente, in the heart of the Cognac region. In the cellars, which ensure the protection of the precious vintages under seal, little has changed in more than 260 years. From the neighboring quays once began the journey of HINE cognacs around the world. This house is one of the oldest in Jarnac. Cognacs exclusively from the Grande and Petite Champagne vintages, a distillation with the lees, and an aging in fine grains with a light to moderate heating. Here, every manufacturing detail will be revealed to you. > To find out more: - https://hine.com/fr - Address: 16 quai Orangerie 16200 Jarnac - 05 45 35 59 59 - Visits, Tasting and Purchases possible - Opening periods: From 01/04 to 31/12 Monday, Tuesday, Wednesday, Thursday and Friday from 9 a.m. to 5:30 p.m. Excluding public holidays. Full price: from €20. Free for children under 18. (Subject to change)

The Giraud d'Anqueville, lords of Bois-Charente, built the castle in the 16th century. The main building has a 16th century tower and extensions dating from the 19th century. In 1680, the castle passed through marriage to François Goulard, lord of La Faye, and it became the property of Jean Thioulet, gentleman of the king, at the beginning of the 18th century. Bois-Charente belonged in 1900, at the beginning of the 20th century, to Jean Fougerat known as Élie, a wealthy owner and benefactor for the development of the Cognac vineyard. The Charente pharmacist and winegrower Jean Fougerat (1863-1932) made a fortune by exploiting several pharmaceutical specialties, in particular the famous Rami syrup to treat the bronchi. This bachelor amassed a "considerable fortune", part of his income came from the exploitation of large vineyards that he had acquired around Graves-Saint-amant, his native land. Indeed, after the phylloxera, in 1897, he replanted 350 hectares of vines on his land acquired in the communes of Graves (logis de Bois Charente), Champmillon (domaine de la Chapelle), Saint-Preuil, in 1897 and Lignières-Sonneville between 1898 and 1901. In 1906, he harvested 22,000 hl of wine and produced 3,000 hl of brandy. He developed the logis de Bois Charente and enlarged its park. He planted more than 500 different species there. He set up a wine station where, with his colleagues, he prepared future plantations and improved the distillation processes. In the absence of immediate outlets, he distilled and aged the eau-de-vie and built numerous ageing cellars in Champmillon, Saint-Preuil and Bourg-Charente. When he died, Fougerat donated his estate and his Bois-Charente manor to the city of Angoulême, the universal legatee. She set up an "Institut de la viticulture charentaise" there (soon renamed the "Bureau interprofessionnel du cognac" and repatriated to Cognac in the 1980s). The Manor was active until the early 1980s, then between 2003 and 2016 it became an educational center for young people in judicial protection. The educational support was based on a high-end application restaurant, with the preparation of CAP and BEP certificates as a key. In his will, Jean Fougerat also had an imposing monument erected in Bois-Charente to the glory of Charente viticulture and cognac. Created by the sculptors R. Lamour de dieu and Émile Peyronnet, the work represents "six figures engaged in viticultural work, in bronze bas-relief; a distillery is engraved in marble". Jean Fougerat gave his name to a street in Angoulême and to his foundation, based in Graves-Saint-Amant. The latter supported the Institute of Viticultural Research in 1936, then currently supports the educational center with the CCAS.

In the heart of the city, this town hall is truly impressive. This public building, the former castle of the Counts of Angoulême, was built in ten years starting in 1858. Paul Abadie Fils, the architect, will preserve two towers, one from the 13th century, the other from the 15th century. The monument presents different architectural styles, witnesses to the history of the city.