The best traffic-free bike rides around Morengo

The Cathedral with the Clock Tower occupies the east side of Piazza della Vittoria, and the facades of houses and palaces frame its facade. The square, as a civic and religious center, as we see it today, was formed in different periods. The construction site of the Duomo was organized according to the methods of the time, i.e. by tracing the perimeter directly on the ground and then starting with the construction of the apse area. The so-called "stepped" facade suggests the division of the internal space, in which the central nave is higher and wider than the two side aisles. In the center of the facade, in the upper part, is the aedicule containing a bronze copy of the statue of San Bassiano, the original in copper and gold patina is kept inside the main nave of the cathedral. The central part of the facade is occupied by the rose window which, besides being a typically decorative element, allows for good internal lighting.

Around the rose window and the slopes of the roof, the decoration with interwoven arches and polychrome majolica cups of Byzantine derivation is to be observed. Below the rose window, two Renaissance stone windows have been created. The "candelabra" columns and the side coats of arms refer to the motifs of humanistic culture. The most characteristic element of this facade is the protiron. In the lunette above the portal are depicted the Redeemer, the crowned Madonna, and Saint Bassiano imploring. On the pilasters of the horizontal architrave are depicted Adam and Eve and, below, two other figures that recall the vices of man. The portal is framed by spiral columns, and the decorations surrounding the portal arch consist of naturalistic decorative motifs derived from the Lombard school, with shoots, spirals, and aquatic plant leaves. Finally, the small roof that frames and shelters the portal is supported by stylophoric lions.

the windmills are always very characteristic

Santuario di Santa Maria del Fonte is a magnificent monumental complex, situated at the end of a long tree-lined avenue that begins with the arch of Porta Nuova, close to the historic center of the city. Its origin dates back to the famous episode of the Apparition: on May 26, 1432, the peasant woman Giannetta de Vacchi was in the Mazzolengo meadow, near the village of Caravaggio, when she witnessed the appearance of a woman whom, by her majesty and beauty, she immediately recognized as the Virgin Mary. As a testament to the event, a new spring gushed forth in the field, whose waters were capable of healing ailments. In the immediately following centuries, a place of worship was built to remain in eternal memory of the event: this building later became the current Basilica of the Sanctuary of Caravaggio.

A suggestive glimpse of the wheel of a watermill, visible from the small bridge over the Acqua Rossa canal.

Sarnico is a town that deserves to be visited

Beautiful bridge to Napoleon Bonaparte

not far from the bridge over the Serio