The best road cycling routes around Avezé

Church of Plan Massé with a flat chevet. Nave composed of three aisles. Originality of the composition, with four different parts built at distinct times: the bell tower topped with a pavilion roof, two sections of the nave (two bays then five bays), and the choir. The entrance porch of the church is built against the north wall; it is adorned with a balustrade with an openwork network and its slopes are decorated with fleur-de-lis. The tympanum of the portal is polychrome. The eastern gable of the building is pierced by an oculus with four quatrefoils. The slopes are adorned with fleur-de-lis and crowned with a stone cross. Construction stages: Although the construction of the primitive church dates back to the 11th century, it underwent numerous modifications: - the choir dates from the 13th century (it is the priory chapel, opened onto the nave in 1808). - in the 15th century the nave was enlarged (which corresponds to the second section). - in the 16th century, the first section of the nave was partially rebuilt. Addition of side chapels at an unknown date. History: The church was ceded around 1090 by Gauthier Chesnel, lord of Ceton, to the Cluniac monks of Saint-Denis de Nogent-le-Rotrou. They established a priory there which was suppressed during the Revolution. This church replaced the village parish church which was destroyed during the Revolution.

Mentioned as early as the 13th century as a dependency of the abbey of Saint-Père, near Chartres, the Notre-Dame des Étilleux church comprises three disparate parts, the most surprising of which is the four-level bell tower, topped by a belfry covered in slate and a lanternon. Protestants are said to have held a sermon there in 1577. Since its foundation, the church has undergone many transformations, notably the rather recent decoration of the choir, an intertwining of fair-weather cumulus clouds in stucco that allows one to guess the original stone wall and a pointed arch opening. A beautiful flamboyant door opens to the west onto a parvis renovated in 1995, and the eastern part, on the sacristy side, has retained its row of gargoyles adorning the choir's slopes. This church is renowned for the very beautiful statue it houses: a Virgin and Child whose pronounced hip sway, facial expression, and the drapery of the mantle are characteristic of a 14th-century representation.

Detailed information is available on Wikipedia: https://fr.wikipedia.org/wiki/Porte_Saint-Julien_(La_Fert%C3%A9-Bernard)

The inhabitants of Margon can admire the church of Notre-Dame du Mont-Carmel, proudly dominating the old town on its rocky spur, at the corner of two green valleys. It was later given an aisle during the 16th century, but its Romanesque portal has been preserved. It reigns benevolently over the old cemetery which surrounds it and which has recently been enlarged due to the increase in the population of the commune.

a lake to rest.

Very pleasant for a moment of relaxation

Religious building or fortified castle? The church of St George is surprising! Of Romanesque origin (11th century), the places have been transformed over the centuries, notably during the wars of religion where the church was fortified. A front part is built with a complete defense system: watchtowers (small turrets), loopholes and barred doors. These defense elements narrowly escaped destruction in the 17th century. Inside you can admire a Virgin and Child, Saint Barbara, Saint Paul and of course the statue of Saint George. You will also be able to observe the remains of one of the Aunais crosses. The building presents many other treasures: old clock mechanism, exhibition on the Cassini family, liturgical vestments...

The first mentions of a place of worship in Tuffé refer to the Sainte-Marie church of the abbey and then the priory, from the 7th century. The creation of the parish of Tuffé is perhaps contemporary or later but currently not documented. Could the priory’s Sainte-Marie church, mentioned much earlier than the Saint-Pierre church, also have once been the parish church of Tuffé? Could the embryo of the current parish church be this private chapel that Hugues Doubleau gave to the abbey with the Sainte-Marie church at the beginning of the 11th century, according to the cartulary of the Saint-Vincent abbey in Le Mans ? In any case, the parish is only attested late by texts (beginning of the 12th century in the same cartulary), but the non-oriented plan of the church, as well as the term Saint-Pierre, argue for the age of the building. The addition of Saint-Paul to the term seems very late, even abusive, since the archival documents systematically refer to a Saint-Pierre church, as does the decoration of the building in the 19th century. If this is an error, it was perhaps induced by Julien-Rémy Pesche at the beginning of the 19th century. The oldest part of the current building is the nave, much remodeled subsequently but the base of the walls of which shows in places a structure made of small rubble stones from the Romanesque period at the latest. But above all, the north gable wall and the first bay of the gutter walls show traces of openings and corner chains made of bricks alternating with limestone cut stones. This formula, rare if not unique in Perche Sarthois, is debated as to its dating. Some historians see it as a testimony to Carolingian architecture. Others, more cautious, put forward an archaic dating of the 11th century, where the use of brick alternating with stone would be an economic choice rather than an aesthetic one: this would explain a certain irregularity in the implementation, particularly in the arch of the old door of the north gable wall. The same uncertainty hangs over the addition of the buttresses and the opening of the current north gate. The nave is covered with a new framework and a spire and the paneling was installed in 1604 as evidenced by the signature (repainted in 1885) “In 1604 this Church was labruchée – Tomas Mabile attorney of the Fabrique de Séans ". The dating of the other parts of the church is not much easier. The construction of the east chapel (presbytery side) is not in too much doubt, the Renaissance decoration of the door to the street and the cupboard, although crude, indicates the middle of the 16th century. This chapel, dedicated to the Virgin, belonged to the lords of Chéronne. Its western counterpart (square side), dedicated to the Sacré-Cœur and built by the lords of Ramée, is less easy to date due to lack of ancient decor. This chapel could have been built shortly before or shortly after that of Chéronne, but undoubtedly not simultaneously, as evidenced by the slight asymmetry of the roofs and the different profile of the structural members. The apse, generally considered to also date from the 16th century, could only be from the 3rd quarter of the 18th century, as a bundle of clues suggests: the axial wall left blind probably to accommodate an altarpiece, the plan burrow made between 1757 and 1759 which still shows a circular apse undoubtedly Romanesque, as well as a document from 1775, indicating that the priest "would have had the necessary and pleasant works done to the great altar of the said church caused by the demolition and construction that Mrs de Saint-Vincent would have had the gable of the said church made. The sacristy would be a 17th century addition.