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Placed under the patronage of Saint Hilaire, this parish was given by Gannelon de Montigny, lord of the place, to the abbey of Marmoutier around 1042. Its reconstruction probably dates from this period; it then became a priory. The church has a rectangular nave ending in a choir with a flat chevet. An examination of the masonry easily reveals two distinct periods of construction: the Romanesque period and the Renaissance. Built of flint rubble with rendering, the western part of the building appears to date from the 11th or 12th century. A limestone cornice supported by rather crude corbels underlines the base of the roof. To the south, two narrow Romanesque windows flared inwards light the nave. To the north, the bays were later reworked and enlarged. On this same side, a Romanesque doorway was walled up; It allowed the church to connect with a building whose traces of detachment remain. The bell tower was built to the north of the Romanesque nave, extending the western façade. The absence of a connection between the east and west walls of the bell tower and the north wall of the nave clearly indicates that it is an entirely later construction. However, its crowning is much later, as evidenced by its cornice, whose molding is in the classical style. Flanked by obliquely angled buttresses, it is covered with a saddleback roof. The eastern half of the church appears to be an extension built during the Renaissance period. Its ogee-shaped cornice and the decoration of the eastern gable, as well as the moldings of the buttress bands, attest to this dating. A vast rectangular choir then appears to have replaced a semicircular Romanesque apse; the eastern gable and the southern and northern façades were then pierced with networked bays. In the lower part of the north façade, projecting ashlars appear to have supported the roof of a lean-to building. To the south, a sacristy was built in the 19th century. Inside, the entire building is covered with a paneled vault with exposed tie beams and kingposts. The 18th-century high altar is surmounted by an Assumption of the Virgin inspired by Murillo's. For the restoration of the roofs and façades, the Sauvegarde de l'Art Français (French National Art Protection Agency) awarded a grant of €30,490 in 2001.

The Church of Saint Sauveur La Trinité, probably built in the 12th century, is notable for its Romanesque windows with columns and capitals. On its walls, alternating with the consecration crosses, one can admire a Stations of the Cross in blue enamel on earthenware. The choir is lit by five Romanesque windows decorated with stained glass depicting Our Lord and the four Evangelists.

Rue du Change in Vendôme. Pedestrian street with a view of the Trinity

Although the Notre-Dame church in the town of Areines may seem modest in size, the richness of its interior decoration is remarkable. It consists of a rectangular nave from the 11th century that extends into a narrower choir and ends with a semi-circular apse from the 12th century. The bell tower was added in the Gothic period. All the walls are covered with murals. The restoration of those in the choir and apse dating from the middle of the 12th century allows us to see: Christ in Majesty, the Lamb with a halo, the Annunciation, the Visitation, the Nativity, saints and apostles. Some of these primitive frescoes were covered by paintings from the 15th, 16th and 18th centuries. Many traces are visible on the walls of the nave and will be restored in the years to come.

This is a church dating from the 12th and 15th centuries. The nave of the church was paneled in the 15th century. A statue representing Saint Martin on horseback, sharing his cloak, was placed in a niche above the portal.

Very beautifully restored church with a beautiful courtyard.

Before the 13th century there were two parishes, Saint-Sauveur and Saint-Gilles, in 1300 the bishop of Chartres united them into one by a charter of Berchères, because of the smallness of the two parishes. The church dates from the beginning of the 17th century. Rebuilt on the foundations of an old Romanesque church, its originality comes from its bell tower with saddle roof, its caquetoire and its paneled vault redone in 2003. At the initiative of the Prince Duke of Montmorency-Laval, it has contained the reliquary of Sainte-Félicité since 1838. Saint Félicité, whose relics are in Montigny-le-Gannelon, is a martyr whose life is unknown, whose body was taken from the sacred cemeteries of Rome. We have his body, the skull, the bones of his arms, fingers and feet. They were removed from the Saint-Cyriaque cemetery in 1828 and placed in their respective places on a body artistically modeled in wax and measuring more than 1.40 meters in length. A magnificent chase, of the shape and size of an altar tomb, all furnished with glazing and embellished with gilding received this precious deposit. Pope Leo XII donated it to the Duke of Laval, then Charles X's ambassador to Rome. On his death, he bequeathed it by will to the church of Montigny-le-Gannelon where the old historic castle of Laval-Montmorency is located. The venerated hunt is now placed under the main altar of which it forms the tomb.

The chapel dedicated to the Virgin, erected at the beginning of the 16th century, was set on fire by lightning in 1878 and completely destroyed. Only the Gothic style western facade and its bell tower were consolidated and restored in 1887 in order to serve as a monumental portal to the adjoining Champdé cemetery. The large late flamboyant Gothic portal, at the center of a richly decorated facade, is composed of a large third-point arch and two twin basket-handle doors framed by flowered buttresses. The harmony of the proportions, the quality of the work and the refinement of the decorations make these remains a historical monument in their own right. The facade of the chapel is visible from the outside at the entrance to the Champdé cemetery.